Review: Conrad Herwig, ‘The Latin Side of McCoy Tyner’ (Savant)


By James Rozzi Trombonists always seem to get the short end of the stick. While improvising, their telescopic slide puts them at a distinct technical disadvantage over a key or valve wind instrument. Yet, Conrad Herwig’s seemingly boundless technique makes that notion as obscure as his name outside of jazz circles. Perennial leader and sideman...

Membership Required

You must be a member to access this content.

View Membership Levels

Already a member? Log in here
Join Our Newsletter
Join thousands of other jazz enthusiasts and get new music, artists, album, events and more delivered to your inbox.

The Authoritative Voice in Jazz