Evan Hause is best described as an experimental crossover musician. He brings to his deep roots in post-60’s rock – especially art rock, pop, and jazz – an exhaustive classical conservatory immersion. On one side jumping between or fusing avante garde contemporary musical techniques: microtonality, polytempo, musique concrète, open form, free improv, conventional classical forms, and musical theater, and on the other side putting out rock or jazz solo albums displaying a dizzying array of influences, Hause is one of those increasingly-common breeds of unpredictable and unclassifiable musical synthesists whose ways were paved by Stravinsky and Zappa, Zorn.