Moving the Needle: The art of the album transcends technology

In April of 1923, King Oliver’s Creole Jazz Band filed into the tiny Gennett recording studio in Richmond, Indiana, and waxed the first recordings to ever feature Oliver’s protégé and second cornetist, Louis Armstrong. According to Laurence Bergreen in his book Louis Armstrong, An Extravagant Life, the facilities were less than ideal. Little more than...

Membership Required

You must be a member to access this content.

View Membership Levels

Already a member? Log in here
Subscribe to the JAZZIZ Podcast​
Apple PodcastsSpotifyRSS
Ad
Recent Posts

Join Our Email Newsletter

Join thousands of other jazz enthusiasts and get new music, artists, album, events and more delivered to your inbox.