By Asher Wolf South African saxophonist Linda Sikhakhane’s new album iLadi is a relaxed and……...
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By John Frederick Moore Wayne Escoffery’s latest release reflects on a lonely time in his……...
By Zev Feldman I’ve always been enamored by the quartet setting in jazz. A multitude……...
By Josef Woodard As heard on these diverse releases, the quartet remains a sturdy construct……...
By Bob Weinberg Talk about truth in advertising! Who but the idiosyncratic Ornette Coleman sounded……...
By Bob Weinberg Fronting a stellar quartet, Jared Hall salutes the trumpet voices that ignited……...
By Michael Roberts With its singular approach to jazz and its cultural references, Mute says……...
By Lissette Corsa Ivanna Cuesta Gonzalez and her quartet play thoughtfully edgy music for the……...
By Michael Fagien It was Chick Corea that got me into jazz. I was an……...
Charles Lloyd has received raves for his latest Blue Note release, The Sky Will Still……...
The Week in Jazz is your roundup of new and noteworthy stories from the jazz……...
By Ted Panken Lakecia Benjamin’s fiery expression comes to the fore on a live quartet……...
By Larry Blumenfeld Three discs, four strings and 15 composers make Ryan Truesdell’s latest project……...
By Jonathan Widran Bob Baldwin returns to his roots with a reimagining of jazz classics……...
By Bob Weinberg Nasheet Waits offers a nuanced look at the charms and challenges of……...
By Shaun Brady A move to the West Coast helped John Escreet shake things up,……...
By Neil Tesser On his latest recording, all but one of Walter Smith III’s quartet……...
The editors of JAZZIZ have the good fortune of being able to listen to new……...
From captivating compositions to virtuosic performances, these releases encompass a wide range of styles and……...
By Larry Blumenfeld Remembering a pioneer of the Blue Note label’s revival. The music business……...