By John Frederick Moore Lafayette Gilchrist pares down his ensemble, but not his commitment to……...
Reviews
By Lissette Corsa While seven years have passed since their last album together, composer Darcy……...
By Josef Woodard The new album from tenor sax master Mark Turner is something of……...
By Philip Booth Chicago bassist Ethan Philion gained plaudits for his work leading a 10-piece……...
By Michael Roberts The title and subtitle of vibraphonist-composer Chien Chien Lu’s latest release seem……...
By Scott Yanow Back to the Land marks an exciting moment for Ornette Coleman fans….…...
By Bill Meredith Michael Musillami may not have achieved the headlining status of jazz guitar……...
By Hrayr Attarian With Rivers in Our Veins, drummer and composer Allison Miller has released……...
By Sascha Feinstein Tenor saxophonist James Brandon Lewis reunites with his Red Lily Quintet (cornetist……...
By Asher Wolf The title of Uncle John’s Band, John Scofield’s third ECM release, refers……...
By Mark Holston After a contemplative prelude crafted by Arturo O’Farrill’s solo piano, this nostalgia-drenched……...
By John Frederick Moore Pianist Orrin Evans reflects a more collective ethos on The Red……...
By Hrayr Attarian A dynamic collaborative trio, Ember consists of saxophonist Caleb Wheeler Curtis —……...
By Jonathan Widran Innovative jazz musicians and arrangers have enjoyed a long, fruitful history of……...
By Philip Booth “A history of a people has been hushed, been stilled. Only few……...
By Sascha Feinstein The first minutes of where are we, saxophonist Joshua Redman’s debut on……...
By Scott Yanow A major new talent, trumpeter Anthony Hervey, who recorded with the Christian……...
By Bill Meredith Drummer Mike Clark first gained international prominence by doing the unthinkable —……...
By Michael Roberts There’s nothing sexier than confidence, and Kurt Elling’s overflowing with it. Having……...
By Lissette Corsa In 2013, soprano saxophonist, flutist, bandleader and composer Jane Bunnett formed the……...