By Ted Panken Ambrose Akinmusire imparts to younger musicians the knowledge and wisdom he’s gleaned……...
By Ted Panken From the earliest days of jazz to its modern cutting edge, Jason……...
This feature was originally published in the Spring 2013 edition of JAZZIZ. By Ted Panken……...
By Ted Panken With nods to Messaien and Dolphy, Kris Davis and like-minded colleagues unfurl……...
Ivo Perelman has long embraced the improvised duo format — except with other saxophonists. With……...
Julian Lage discusses the influences of Bill Frisell, John Zorn, spirituality and the vintage instruments……...
While they’re often overlooked, Terri Lyne Carrington keeps the focus on women who’ve contributed to……...
Miles Davis devotees are celebrating Sony’s most recent archaeological dig into its vast archive of……...
Billy Drummond dips into the songbooks of Carla Bley, Jackie McLean, Tony Williams and Stanley……...
Adam Rudolph and Bennie Maupin pay loving homage to mentor Yusef Lateef by evoking his……...
Bill Frisell discusses pandemic isolation, the hardships of touring and the experience of granting full……...
Versatile, volatile and extraordinarily gifted, Charles Mingus left a musical legacy as compelling and complex……...
Since his mid-30s, Kurt Rosenwinkel, now 51, has held quasi-guitar god stature among connoisseurs of……...
In September 2020, Jorge Rossy, then 56, recorded Puerta, his first leader album for ECM….…...
It’s hard to think of an under-40 drummer who manifests experimental imperatives and idiomatic mastery……...
The timeworn adage “the show must go on” was Eliane Elias’ watchword at her September……...
Perhaps the most demanding function in today’s jazz ecosystem is the bass chair in the……...
Known for her “as serious as your life” approach to musical production since she moved……...
Editor’s Note: The Jazz Foundation of America will present a live stream of the SPOTLIGHT……...
“Underdocumented” is not an adjective that applies to pianist Matthew Shipp, who turned 60 last……...