Author: Scott Yanow

Review: Bria Skonberg, ‘What It Means’ (Cellar Music)

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October 14, 2024

Auditions Roundup: Trumpets Triumphant

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June 27, 2024

Adam Schroeder & Mark Masters, ‘CT!’ (Capri) | Review

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April 1, 2024

Ohad Talmor, ‘Back to the Land’ (Intakt) | Review

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December 29, 2023

Anthony Hervey, ‘Words From My Horn’ (Outside In Music) | Review

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September 16, 2023

TC the 3rd, ‘The Music’ (self-released) | Review

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June 20, 2023

Auditions Roundup: The Strength of Strings

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April 17, 2023

Cheryl Ann Spencer, ‘Serendipity in Venice’ (self-released) | Review

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March 21, 2023

Connie Han, ‘Secrets of Inanna’ (Mack Avenue) | Review

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December 13, 2022

REVIEW: Melissa Stylianou, “Dream Dancing” (Anzic)

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August 2, 2022

REVIEW: Joey Alexander, ‘Origin’ (Mack Avenue)

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July 3, 2022

Steven Lugerner, “It Takes One To Know One” (Slow and Steady)

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May 3, 2022

Eugenie Jones, “Players” (Open Mic)

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April 5, 2022

Cory Weeds: ‘What Is There To Say?’ (Cellar Music)

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February 1, 2022

Rich Halley: ‘Boomslang’ (Pine Eagle)

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January 4, 2022

Adonis Rose and the New Orleans Jazz Orchestra featuring Cyrille Aimée: ‘Petite Fleur’ (Storyville)

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December 10, 2021

Count Basie Orchestra: ‘Live at Birdland’ (Candid)

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November 4, 2021

Leon Lee Dorsey: ‘Freedom Jazz Dance’ (Jazz Avenue 1)

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July 30, 2021

George Cables: ‘Too Close for Comfort’ (HighNote)

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June 30, 2021

Strings and Things: Diverse recordings employ a panoply of plucked, picked and strummed instruments 

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May 28, 2021