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Review: Tarbaby, ‘You Think This America’ (Giant Step Arts)

By Bill Meredith Pianist Orrin Evans, bassist Eric Revis and drummer Nasheet Waits form the……...

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Review: Conrad Herwig, ‘The Latin Side of McCoy Tyner’ (Savant)

By James Rozzi Trombonists always seem to get the short end of the stick. While……...

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Review: Nduduzo Makhathini, ‘uNomkhubulwane’ (Blue Note)

By John Frederick Moore South African pianist and composer Nduduzo Makhathini has specialized in integrating bop,……...

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Review: Charlie Kohlhase’s Explorers Club, ‘A Second Life’ (Mandorla Music)

By Jon Garelick There are many ways to play free jazz. For multi-reed player and……...

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Review: Milton Suggs, ‘Pure Intention’ (Imani)

By Philip Booth “Flowing out of my heart there is a song/I’m going to sing……...

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Review: Linda Sikhakane, ‘iLadi’ (Blue Note)

By Asher Wolf South African saxophonist Linda Sikhakhane’s new album iLadi is a relaxed and……...

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Wayne Escoffery: The Unexpected Benefits of Solitude

By John Frederick Moore Wayne Escoffery’s latest release reflects on a lonely time in his……...

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Fours To Be Reckoned With

By Zev Feldman I’ve always been enamored by the quartet setting in jazz. A multitude……...

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Stolen Moment: Charles Lloyd

Charles Lloyd has received raves for his latest Blue Note release, The Sky Will Still……...

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Walter Smith III: Houston, We Have an Album

By Neil Tesser On his latest recording, all but one of Walter Smith III’s quartet……...

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Editor’s Note

Our latest Digital Edition assembles a curated selection of articles from the JAZZIZ archive in……...

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Sounds of the Century Club

By Matt Micucci and Brian Zimmerman Here is a collection of well-known tracks and hidden……...

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Brubeck Living Legacy Prize: Kasper Rietkerk

The inaugural Brubeck Living Legacy Prize was awarded to London-based alto saxophonist Kasper Rietkerk. As……...

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Stolen Moment: Lee Morgan

Lee Morgan ranks high among the definitive hard bop trumpet players, his sound all but……...

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Ian Carey: Composing an Artistic Legacy

By John Frederick Moore Ian Carey expands his palette and honors his artist father’s aesthetic….…...

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A Shot of Pops

By Ricky Riccardi Do you remember where you were on March 21, 2020? The odds……...

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Review: Charles Lloyd, ‘The Sky Will Still Be There Tomorrow’ (Blue Note)

By Sascha Feinstein NEA Jazz Master Charles Lloyd released The Sky Will Be There Tomorrow……...

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Review: Shabaka, ‘Perceive Its Beauty, Acknowledge Its Grace’ (Impulse!)

By Asher Wolf As the saxophonist and driving force behind the bands Sons of Kemet,……...

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Review: Jacky Terrasson, ‘Moving On’ (Earth Sounds/Naïve)

By Jon Garelick Jacky Terrasson’s first album in five years — and the first on……...

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Review: Christian McBride/Edgar Meyer, ‘But Who’s Gonna Play the Melody?’ (Mack Avenue)

By Bill Meredith In an era where gimmickry usually wins over musicality, bassists Christian McBride……...

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