Not for the first time, Miles Davis changed his music and changed the jazz world……...
On the surface, drummer John Armato’s full-length debut album may appear to be a collection……...
Charles Mingus’ two-week residency at Ronnie Scott’s is the stuff of legend. In her insightful……...
Although he died at the age of 25, Scott LaFaro made a tremendous impression on……...
With Bámbula (Truth Revolution), his debut album as a leader, Alex “Apolo” Ayala crafted a……...
Sahar, the title of Or Bareket’s new album for the Enja label, carries several different……...
Baritone saxophonist and bass clarinetist Brian Landrus has carved out a niche as a go-to……...
During the pandemic lockdown, while jazz fans were jonesing for live music and musicians anxiously……...
Vancouver jazz scenester John Lee had a difficult decision to make. More than proficient on……...
Along with the Burton/McPherson Trio, the Jason Palmer Quartet was among the jazz groups invited……...
Like so many musicians, bassist Roberto Occhipinti had some time on his hands during the……...
Barcelona-born bassist Manel Fortià caught the jazz world’s attention last year with the release of……...
French composer Claude Debussy famously declared that “music is the space between the notes” (a……...
With his latest outing, Ascent to the Blues, Russian trumpeter Alex Sipiagin adds yet another……...
A staple in the Posi-Tone rhythm section, bassist Boris Kozlov makes his anticipated label debut……...
Contrasts — those both real and imagined — have been a theme in saxophonist Diego……...
Posi-Tone’s Out to Dinner recordings have become much-coveted items in the label’s discography, starting with……...
Portland-based trumpeter Farnell Newton has always been about lifting up the jazz community. His Jam……...
Pianist Art Hirahara’s Open Sky offered a refreshing dose of jazz optimism when it was……...
Trombonist Michael Dease assembles an all-star ensemble for his latest release, Best Next Thing (Posi-Tone),……...