Author: Bill Meredith

Wynton Marsalis, Against All Odds, Goes Silent

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May 15, 2025

Critic’s Pick: New release by Hiromi’s Sonicwonder

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May 15, 2025

A Smooth South Florida Landing for Keiko Matsui

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May 12, 2025

Vocalist José James’ Audio/Visual ’70s Salute

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May 8, 2025

Critic’s Pick: New Release by Béla Fleck, Edmar Castañeda & Antonio Sánchez

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May 8, 2025

Chucho Valdés Extends His Tall Legacy With Irakere 50

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May 7, 2025

Essential Tracks by the Jazz at Lincoln Center Orch Precede Essentially Ellington Competition

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May 6, 2025

Guitarist Stephane Wrembel’s Festival Is All Things Django

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May 6, 2025

Flutist Jamie Baum Puts the + Into Her Septet

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May 5, 2025

The Centennial Club, Part 2: Mel Tormé

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May 1, 2025

The Centennial Club, Part 2: Oscar Peterson

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May 1, 2025

Sara Gazarek and Eastman, the Little Music School That Could

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April 24, 2025

Baltimore’s Keystone Korner Presents Good Vibes for International Jazz Day

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April 24, 2025

Late Drummer’s New Release Re-defines Kool Jazz

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April 16, 2025

Song of the Day: Dan Moretti & Brazilia, “Black Nile”

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April 14, 2025

Pat Metheny To Make News at Jazz Foundation of America Gala

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April 14, 2025

2025 Next Jazz Legacy Cohort: No D.E.I. Hires Required

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April 14, 2025

Record Store Day 2025: Don’t Call It a Comeback

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April 10, 2025

Review: Steve Sandberg Trio

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April 9, 2025

Jason Moran, Gordon Parks and Audio/Visual Ellington

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April 8, 2025